To give credit to the six screenwriters on this movie, the oodles of rather convoluted plot detail are relatively clear even if you’re not super-paying-attention.
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Soon Toomes and his crew are kicked off the site by an officious Tyne Daly and it’s revealed that Tony Stark is ostensibly self-dealing by heading a government clean-up crew to handle the superhero mess. Those in the audience with a familiarity with possibly fake Chekhov quotes will recognize this as the gun on the mantelpiece in Act One that is obliged to go off in Act Three, and by Odin, off it does indeed go, but it’s a long way from Act One to Act Three.
SPIDER MAN HOMECOMING MOVIE
In the timeline of the MCU (Marvel Cinematic Universe), “Spider-Man: Homecoming” begins directly after Spider-Man’s participation in a superhero gang fight in 2016’s “Civil War.” But the movie itself begins eight years prior to that, in the aftermath of Loki unleashing the Chitauri, which trashed much of NYC and the Avengers’ sleek headquarters in 2012’s “ The Avengers.” (That’s a 2012 movie, and it’s only 2017 now, but don’t look at me, I’m just going by the on-screen texts.) In the wreck of the Avengers’ HQ, Michael Keaton’s hard-working salvage dude Adrian Toomes is showing a colleague a drawing of the Avengers scrawled by Toomes’ own ten-year-old child. Both the superhero and his high-school-student alter-ego (or is it the other way around? That’s another thing I can be hazy on) Peter Parker, are presented at their most awkwardly adolescent.
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This is the second movie to star Tom Holland as Spider-Man in this incarnation (after “ Captain America: Civil War”).